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The New York Times Top News  |  National  |  College  |  Market  |  Medical  |  Science  |  The New York Times

NYT > Arts

Maya Lin’s “Storm King Wavefield” can be observed through the changing seasons.


In “Vida” Patricia Engel’s world is caught between Colombia and the United States, and truly at home in neither.


“Sons of Anarchy,” which has presciently captured the nativist strain running on the edges of American life, begins its third season on FX on Tuesday.


Despite the rocky economy and the recent announcement of government cutbacks for arts financing, the Tate Modern in London is growing.


At the Telluride Film Festival, some of the fall’s most anticipated movies get a test run.


Publishing’s fall schedule includes books by Bob Woodward, Keith Richards, George W. Bush and Jon Stewart.


The performance artist Ann Liv Young returned on Sunday to MoMA P.S. 1 to discuss her appearance in February, which ended in the museum turning the lights off on her.


The stars of the Electric Zoo festival at Randalls Island were the trance-inducing D.J.s


Lawrence Wright expands on his one-man theatrical look at Al Qaeda, which was based on his book “The Looming Tower.”


In Brooklyn, a musical festival called J’ouvert helped to usher in the West Indian American Carnival.


The Japanese conductor Seiji Osawa has been in ill health, which limited his participation at the Saito Kinen Festival in Matsumoto.


Georg Friedrich Haas’s String Quartet No. 3 was performed in an entirely dark hall, with members of the JACK Quartet seated in four corners of the space.


A listing of cultural events this week.


The British novelist Colin Cotterill, who lives on a Thai beach, stands apart from his books’ setting, the Communist Laos of the 1970s.


The success of Iron Maiden's latest album and the continued loyalty of its fans offer the troubled music industry some tips on survival in the digital age.


A multipurpose digital printer — one that can scan, fax, make copies and print photos — is an inexpensive technical marvel. Yet it has some glaring flaws: It’s unattractive and unsustainable.


Under the curatorship of Kazuyo Sejima, the 12th Architecture Biennale is above all marked by its diversity, unified under the usefully unspecific overarching title of “People meet in architecture.”'


Darren Aronofsky’s in-competition movie “Black Swan” and Tran Anh Hung’s “Norwegian Wood” tell of the agonies of professional dancing and of triangles within triangles.


Russians entered the French festival scene this summer with an open throttle and an open checkbook.


 
 
 
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